For Thom Browne FW25, the show was more than a display of fashion—it was a poetic meditation on identity, creativity, and the beauty of breaking free. By merging the precision of tailoring with the boundless imagination of flight, he reminded us that in fashion, as in life, the most marvellous thing of all is to be exactly who we wish to be.
Here is everything to know about the Thom Browne FW25 ready-to-wear collection…
The Location
The venue was adorned with 2,000 origami paper birds—a breathtaking spectacle symbolizing hope and transformation. At the heart of the scene, two caged love birds gazed longingly at the fantastical flock soaring past them, embodying the desire to break free and embrace their true selves.
The Collection
The collection unfolded with two ornithologists making their entrance, dressed in signature Thom Browne uniforms—hooded parkas crafted from double-faced wool, paired with semi-sheer argyle stockings and over-the-knee suede waders. These observers, seated at a white folded desk, became symbols of the meticulous artistry behind the collection


True to Browne’s signature aesthetic, the garments presented an avant-garde interpretation of traditional menswear and womenswear. Strong-shouldered silhouettes, elongated jackets, and exaggerated topcoats set the tone for an array of masterfully constructed pieces. Argyle cardigans were shrunken, while skirts and shorts spanned from mini to floor-length, each hemline distinctly unique. A tapered, cocoon-like coat, reminiscent of the barrel-chested flycatcher, emphasized the avian inspiration.


Intricate craftsmanship shone through in details like suede elbow patches, contrast collars, and self-covered buttons. Modular gingham silk shirting featured removable collars and cuffs, a nod to Gilded Age tuxedo elegance. Collegiate references were cleverly woven into the narrative, with a tweed football pinnie and a chocolate brown suede varsity jacket emblazoned with “65,” honoring Browne’s birth year.


The collection’s ornate embellishments added a dynamic sense of movement and texture. Tweeds in red, white, blue, and silver came alive with sequins, boucle yarn, silk ribbons, and featherlike threads. While bird motifs, a central theme, were exquisitely realised through embroidery and fabric manipulation.
The Best Looks
A standout trompe l’oeil dress, adorned with 3,500 Swarovski crystals, cleverly reimagined the classic Thom Browne uniform, showcasing the designer’s unparalleled attention to detail.

Then for the finale—a rare bird in flight—emerged in a gold bullion embroidered grey suit jacket and a sweeping ball skirt meticulously draped with 40 meters of heritage tweed.

The FROW
The show was attended by Cara Delevingne, Chase Sui, Justin Theroux, Cristin Milioti, Queen Latifah, and St. Vincent.

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